Math: Making Me Crazy Since 1978.

I dropped that math class and all is right with the universe again. I hated admitting to myself that I wasn't up to it, but I just wasn't up to it. Even after working with a tutor twice a week for the first few weeks, I couldn't keep up. I've never felt so lost in a class in my life.

The course was called Applicable Math, and it was designed for non-math majors, but particularly for the sciences, economics, and social sciences. From the description it looked like something I could handle, but once I was into it I realized it required a facility with high school algebra that I may have barely had when I was 17, but it's been 30 years since I've had a math class.

After I took my last math test in high school -- I still have it that test in a scrapbook somewhere; it was a real nailbiter; my 4.0 gpa depended on getting an A in Algebra II and getting an A in Algebra II depended on getting at least I think a 94 on that math final and I think I got something like a 94. 3 -- I promptly evicted things like factoring and quadratic equations from my brain. In defense of my neurotic need to get good grades, I knew that if I could pull off a 4.0 I would get a bunch of scholarship money (I did) which would allow me to go to college out of state. At the time I was hellbent on moving to a place where nobody knew me so I could come out. I have second-guessed that decision many times because I think that Indiana University in Bloomington would have been a great school for me and a great environment to be in at that age, but who can say. (One more way in which intolerance of gay kids fucks with their lives, in case anyone is making a list.)

I had registered for 18 hours this semester anyway, so dropping the class is not such a big deal. There's another math class for non-majors which looks like it approaches the subject more from a philosophy point of view. Maybe I'll be more suited to that one. I have to take one math class to get my B.A., but for now, I can get on with the semester and put my energy into more important classes.

The temperature dropped by about 20 degrees this week, another reason for celebrating. I love getting up in the morning and it's cool, and I'm not already soaked with sweat just from walking to the bus stop in the morning. (You know you live in Texas when it's 70 degrees out and the bus driver has the heat on in the bus.)

David Foster Wallace R.I.P.

I'm so sad this morning to read that David Foster Wallace has died. He's one of a small handful of writers (Dave Eggars, Annie Dillard) whose work not only moves me but makes me glad and proud to be an artist. On top of all the other amazing things his writing does, it retains the orgasmic thrill of writing itself, leaves the shimmer of it there on the page as a gift to the reader.

Reading his fiction is like reading George Eliot. It seems that on every page there is something that makes me stop and think, How can anyone be so smart? How is it possible for anyone to see so clearly?

It terrifies me to wonder if that kind of access to the truth is a direct line to suicidal despair. I might on my best days be able to conjure a tenth of David Foster Wallace's inspiration, a fact which normally would frustrate me to no end. But today I'm okay with it.

This is a transcription of his commencement address at Kenyon College in 2005:

(If anybody feels like perspiring [cough], I'd advise you to go ahead, because I'm sure going to. In fact I'm gonna [mumbles while pulling up his gown and taking out a handkerchief from his pocket].) Greetings ["parents"?] and congratulations to Kenyon's graduating class of 2005. There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says "Morning, boys. How's the water?" And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes "What the hell is water?"

This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story ["thing"] turns out to be one of the better, less bullshitty conventions of the genre, but if you're worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don't be. I am not the wise old fish. The point of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude, but the fact is that in the day-to-day trenches of adult existence, banal platitudes can have a life or death importance, or so I wish to suggest to you on this dry and lovely morning.

Of course the main requirement of speeches like this is that I'm supposed to talk about your liberal arts education's meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let's talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about quote teaching you how to think. If you're like me as a student, you've never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think. But I'm going to posit to you that the liberal arts cliché turns out not to be insulting at all, because the really significant education in thinking that we're supposed to get in a place like this isn't really about the capacity to think, but rather about the choice of what to think about. If your total freedom of choice regarding what to think about seems too obvious to waste time discussing, I'd ask you to think about fish and water, and to bracket for just a few minutes your skepticism about the value of the totally obvious.

Here's another didactic little story. There are these two guys sitting together in a bar in the remote Alaskan wilderness. One of the guys is religious, the other is an atheist, and the two are arguing about the existence of God with that special intensity that comes after about the fourth beer. And the atheist says: "Look, it's not like I don't have actual reasons for not believing in God. It's not like I haven't ever experimented with the whole God and prayer thing. Just last month I got caught away from the camp in that terrible blizzard, and I was totally lost and I couldn't see a thing, and it was fifty below, and so I tried it: I fell to my knees in the snow and cried out 'Oh, God, if there is a God, I'm lost in this blizzard, and I'm gonna die if you don't help me.'" And now, in the bar, the religious guy looks at the atheist all puzzled. "Well then you must believe now," he says, "After all, here you are, alive." The atheist just rolls his eyes. "No, man, all that happened was a couple Eskimos happened to come wandering by and showed me the way back to camp."

It's easy to run this story through kind of a standard liberal arts analysis: the exact same experience can mean two totally different things to two different people, given those people's two different belief templates and two different ways of constructing meaning from experience. Because we prize tolerance and diversity of belief, nowhere in our liberal arts analysis do we want to claim that one guy's interpretation is true and the other guy's is false or bad. Which is fine, except we also never end up talking about just where these individual templates and beliefs come from. Meaning, where they come from INSIDE the two guys. As if a person's most basic orientation toward the world, and the meaning of his experience were somehow just hard-wired, like height or shoe-size; or automatically absorbed from the culture, like language. As if how we construct meaning were not actually a matter of personal, intentional choice. Plus, there's the whole matter of arrogance. The nonreligious guy is so totally certain in his dismissal of the possibility that the passing Eskimos had anything to do with his prayer for help. True, there are plenty of religious people who seem arrogant and certain of their own interpretations, too. They're probably even more repulsive than atheists, at least to most of us. But religious dogmatists' problem is exactly the same as the story's unbeliever: blind certainty, a close-mindedness that amounts to an imprisonment so total that the prisoner doesn't even know he's locked up.

The point here is that I think this is one part of what teaching me how to think is really supposed to mean. To be just a little less arrogant. To have just a little critical awareness about myself and my certainties. Because a huge percentage of the stuff that I tend to be automatically certain of is, it turns out, totally wrong and deluded. I have learned this the hard way, as I predict you graduates will, too.

Here is just one example of the total wrongness of something I tend to be automatically sure of: everything in my own immediate experience supports my deep belief that I am the absolute center of the universe; the realest, most vivid and important person in existence. We rarely think about this sort of natural, basic self-centeredness because it's so socially repulsive. But it's pretty much the same for all of us. It is our default setting, hard-wired into our boards at birth. Think about it: there is no experience you have had that you are not the absolute center of. The world as you experience it is there in front of YOU or behind YOU, to the left or right of YOU, on YOUR TV or YOUR monitor. And so on. Other people's thoughts and feelings have to be communicated to you somehow, but your own are so immediate, urgent, real.

Please don't worry that I'm getting ready to lecture you about compassion or other-directedness or all the so-called virtues. This is not a matter of virtue. It's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default setting which is to be deeply and literally self-centered and to see and interpret everything through this lens of self. People who can adjust their natural default setting this way are often described as being "well-adjusted", which I suggest to you is not an accidental term.

Given the triumphant academic setting here, an obvious question is how much of this work of adjusting our default setting involves actual knowledge or intellect. This question gets very tricky. Probably the most dangerous thing about an academic education -- least in my own case -- is that it enables my tendency to over-intellectualize stuff, to get lost in abstract argument inside my head, instead of simply paying attention to what is going on right in front of me, paying attention to what is going on inside me.

As I'm sure you guys know by now, it is extremely difficult to stay alert and attentive, instead of getting hypnotized by the constant monologue inside your own head (may be happening right now). Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed. Think of the old cliché about quote the mind being an excellent servant but a terrible master.

This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head. They shoot the terrible master. And the truth is that most of these suicides are actually dead long before they pull the trigger.

And I submit that this is what the real, no bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out. That may sound like hyperbole, or abstract nonsense. Let's get concrete. The plain fact is that you graduating seniors do not yet have any clue what "day in day out" really means. There happen to be whole, large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine, and petty frustration. The parents and older folks here will know all too well what I'm talking about.

By way of example, let's say it's an average adult day, and you get up in the morning, go to your challenging, white-collar, college-graduate job, and you work hard for eight or ten hours, and at the end of the day you're tired and somewhat stressed and all you want is to go home and have a good supper and maybe unwind for an hour, and then hit the sack early because, of course, you have to get up the next day and do it all again. But then you remember there's no food at home. You haven't had time to shop this week because of your challenging job, and so now after work you have to get in your car and drive to the supermarket. It's the end of the work day and the traffic is apt to be: very bad. So getting to the store takes way longer than it should, and when you finally get there, the supermarket is very crowded, because of course it's the time of day when all the other people with jobs also try to squeeze in some grocery shopping. And the store is hideously lit and infused with soul-killing muzak or corporate pop and it's pretty much the last place you want to be but you can't just get in and quickly out; you have to wander all over the huge, over-lit store's confusing aisles to find the stuff you want and you have to maneuver your junky cart through all these other tired, hurried people with carts (et cetera, et cetera, cutting stuff out because this is a long ceremony) and eventually you get all your supper supplies, except now it turns out there aren't enough check-out lanes open even though it's the end-of-the-day rush. So the checkout line is incredibly long, which is stupid and infuriating. But you can't take your frustration out on the frantic lady working the register, who is overworked at a job whose daily tedium and meaninglessness surpasses the imagination of any of us here at a prestigious college.

But anyway, you finally get to the checkout line's front, and you pay for your food, and you get told to "Have a nice day" in a voice that is the absolute voice of death. Then you have to take your creepy, flimsy, plastic bags of groceries in your cart with the one crazy wheel that pulls maddeningly to the left, all the way out through the crowded, bumpy, littery parking lot, and then you have to drive all the way home through slow, heavy, SUV-intensive, rush-hour traffic, et cetera et cetera.

Everyone here has done this, of course. But it hasn't yet been part of you graduates' actual life routine, day after week after month after year.

But it will be. And many more dreary, annoying, seemingly meaningless routines besides. But that is not the point. The point is that petty, frustrating crap like this is exactly where the work of choosing is gonna come in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don't make a conscious decision about how to think and what to pay attention to, I'm gonna be pissed and miserable every time I have to shop. Because my natural default setting is the certainty that situations like this are really all about me. About MY hungriness and MY fatigue and MY desire to just get home, and it's going to seem for all the world like everybody else is just in my way. And who are all these people in my way? And look at how repulsive most of them are, and how stupid and cow-like and dead-eyed and nonhuman they seem in the checkout line, or at how annoying and rude it is that people are talking loudly on cell phones in the middle of the line. And look at how deeply and personally unfair this is.

Or, of course, if I'm in a more socially conscious liberal arts form of my default setting, I can spend time in the end-of-the-day traffic being disgusted about all the huge, stupid, lane-blocking SUV's and Hummers and V-12 pickup trucks, burning their wasteful, selfish, forty-gallon tanks of gas, and I can dwell on the fact that the patriotic or religious bumper-stickers always seem to be on the biggest, most disgustingly selfish vehicles, driven by the ugliest [responding here to loud applause] (this is an example of how NOT to think, though) most disgustingly selfish vehicles, driven by the ugliest, most inconsiderate and aggressive drivers. And I can think about how our children's children will despise us for wasting all the future's fuel, and probably screwing up the climate, and how spoiled and stupid and selfish and disgusting we all are, and how modern consumer society just sucks, and so forth and so on.

You get the idea.

If I choose to think this way in a store and on the freeway, fine. Lots of us do. Except thinking this way tends to be so easy and automatic that it doesn't have to be a choice. It is my natural default setting. It's the automatic way that I experience the boring, frustrating, crowded parts of adult life when I'm operating on the automatic, unconscious belief that I am the center of the world, and that my immediate needs and feelings are what should determine the world's priorities.

The thing is that, of course, there are totally different ways to think about these kinds of situations. In this traffic, all these vehicles stopped and idling in my way, it's not impossible that some of these people in SUV's have been in horrible auto accidents in the past, and now find driving so terrifying that their therapist has all but ordered them to get a huge, heavy SUV so they can feel safe enough to drive. Or that the Hummer that just cut me off is maybe being driven by a father whose little child is hurt or sick in the seat next to him, and he's trying to get this kid to the hospital, and he's in a bigger, more legitimate hurry than I am: it is actually I who am in HIS way.

Or I can choose to force myself to consider the likelihood that everyone else in the supermarket's checkout line is just as bored and frustrated as I am, and that some of these people probably have harder, more tedious and painful lives than I do.

Again, please don't think that I'm giving you moral advice, or that I'm saying you are supposed to think this way, or that anyone expects you to just automatically do it. Because it's hard. It takes will and effort, and if you are like me, some days you won't be able to do it, or you just flat out won't want to.

But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's not usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible. It just depends what you what to consider. If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.

Not that that mystical stuff is necessarily true. The only thing that's capital-T True is that you get to decide how you're gonna try to see it.
This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.

Because here's something else that's weird but true: in the day-to day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship -- be it JC or Allah, bet it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles -- is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.

Worship power, you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. But the insidious thing about these forms of worship is not that they're evil or sinful, it's that they're unconscious. They are default settings.

They're the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that's what you're doing.

And the so-called real world will not discourage you from operating on your default settings, because the so-called real world of men and money and power hums merrily along in a pool of fear and anger and frustration and craving and worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the center of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving and [unintelligible -- sounds like "displayal"]. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day.

That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.

I know that this stuff probably doesn't sound fun and breezy or grandly inspirational the way a commencement speech is supposed to sound. What it is, as far as I can see, is the capital-T Truth, with a whole lot of rhetorical niceties stripped away. You are, of course, free to think of it whatever you wish. But please don't just dismiss it as just some finger-wagging Dr. Laura sermon. None of this stuff is really about morality or religion or dogma or big fancy questions of life after death.
The capital-T Truth is about life BEFORE death.

It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over:

"This is water."

"This is water."

It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out. Which means yet another grand cliché turns out to be true: your education really IS the job of a lifetime. And it commences: now.

I wish you way more than luck.

Addendum.

I shouldn't say that math is an unmitigated horror. I have a wonderful tutor without whom I would be 100 times more lost than I am. I meet with him every Friday and he calmly answers all the dumb questions I'm afraid to ask in class -- question that are usually along the lines of "what the hell is that?"

Fuck Math.

For the record, math is a nightmare. I don't say that to be dramatic or funny or for any other reason than to state fact. It is a total, unmitigated nightmare.

I want to state that now, so that, if I jump off a bridge some time between now and Christmas, we will all know why.

We Are on the Brink of Disaster.

My big fear now is that McCain will win because there are enough American voters who are big enough dumbasses to vote for this woman because it'll make for good US Weekly reading.

You think the FLDS are scary? Check out her church, the Assembly of God. At least the FLDS keep to themselves. These people walk among us. I was going to say that you can pick them out because they wear too much makeup -- AOG was Jim and Tammy Faye Baker's church, just to give you a point of reference -- but that doesn't work in Texas, where there's no such thing as too much makeup.

Summer Will End.

I didn't fall off the face of the earth, I started school.

This semester is going to be intense. It already is. I have second-year Spanish (great teacher, lots of homework every day, I feel like I've learned more in 4 classes than I learned in 4 months last year); a class called Applicable Math (one math class is required, and this class is as basic as it gets -- still it's a nightmare, Cartesian coordinates? what's going on?); Biology for Citizens (I like this one, seems to be mostly about human evolution, the professor is German); Movies and Modern America (a seminar history class, meets once a week, we watch movies and write a long research paper); Native Americans in Texas (anthropology, Portuguese professor who is the expert on the subject, lots of writing and no exams, yay!); and a geography class, the Modern City (the professor is hilarious, very confrontational teaching style).

On top of all that, my application for graduate school is due this fall. I have to take another look soon to see what all's involved in that. Do I really have to take the GRE? Seems silly to me, but there are always hoops to jump through.

The real news is that I had to get out a blanket last night. The temperature got down to about 70! It's cool in my room as I sip coffee and write this at 7:30 a.m. The high today is 93. I feel redeemed.

The Story.

My last post brought to mind this Gillian Welch song, which is "the story." The video is a bit precious, but it's a great, great song.



And, because one can never get too much Gillian Welch and David Rawlings, here's another. One of my favorite songs -- I'd never heard them sing it before.

Thirsty.

Last night I was out in front of the house with a pair of scissors trimming back a rangy bougainvillea that sends thorny shoots across the path between the garden and the house, because every time I have to go around to the back of the house to flip the breaker switch (because the wiring in our house can't handle the air conditioners) I get scratched and I'm sick of it. It was still very warm out and humid, the air was thick. I heard someone faintly say, "Excuse me?" and I turned to see a small thin man in a white t-shirt that came down to his knees standing in the street. He started talking, but I couldn't make out what he was saying, so I moved closer, and he said, "I'm sorry, I have lung cancer and can't speak very loudly."

Then he told me the story, the one somebody must teach classes in because panhandlers everywhere I've lived from New York to Nashville to San Francisco all tell some version of it, and it ends with, "... and I just need $_____ to get back home." But halfway through the story, this man's eyes teared up and his whole head broke out in a sweat and he said, "and I'm so hot, and I don't even know where I can get some water."

I told him that I couldn't give him money but that I could give him water. I went into the house and filled a quart bottle with cold water and took it out to him. He thanked me and walked back the way he came, tipping the bottle up to take a long drink. I could feel that cold water running down his throat, and I hoped it made him feel a little bit better for at least a little while.

If I were in that situation, alone and in such dire need in a city on a hot and humid night, no matter what the circumstances that brought me there, I doubt I would survive it. I think I would just collapse, mentally, emotionally, physically. I think about that pretty often. I feel a great admiration for that man because he is stronger than I am.

Sluggish.

Since I got back from Indiana, I haven't been able to concentrate on anything for any length of time. I've been reading one novel for weeks now (Michael Chabon's The Yiddish Policemen's Union, which I am loving, though slowly), whereas I would usually finish 400-pages of fiction in a week or so. I am also reading a draft of J's novel, I've been working on it ever since I got back the last week of July, and I'm only through about 40 pages. I just cannot concentrate for more than a few minutes at a time.

It seems the only thing I have the attention span for is comics and porn, which conveniently come together in two books I recently bought and enjoyed: Side by Side by Mioki, and the third volume of Hard to Swallow.

Classes start a week from yesterday, and I'm worried it's going to be hard to switch it all on. Back to the books, back to the gym.

Friday Melanie.


I've been uploading to youtube some video clips of my friend Molly Venter -- I'll share them when they're ready -- who reminds me, at least her voice, of Melanie. Most people I think only know Melanie from "Brand New Key," her big novelty hit, or possibly "Lay Down (Candles in the Rain)," the song she wrote about Woodstock, but she wrote and recorded and performed for years and years (and may still be out on the road -- I know she was touring a few years ago with her daughters who have a band).

She likes old timey instruments and arrangements, which gives her songs sometimes a music hall vaudeville-ish sound. Some of her songs are silly -- on her live recordings, she seems to love making the audience laugh -- some are a bit maudlin, others are serious, poetic, introspective. (Reading back over that last sentence, I realize that all those elements were part of the sixties folk revival that she was a big part of.) But then, over and against all those elements is that voice that seems to just spill from her heart undiluted. Patti Griffin does it. And Molly Venter does it, too.

"Peace Will Come" was on a K-Tel compilation that my brother and I got in the early 70s -- the single version starts with only a plaintive vocal and I think accordion and builds to a full orchestration with all sorts of odd instruments and layers of vocals (all her). I used to listen to it over and over because it made me cry. I didn't even really know what it was about, still don't, but something about the sonic quality of it would go right to my tear ducts.

I had no idea who she was or what else she did and I guess no curiosity about it until many years later. I still think it's a mysterious and moving song.

And this clip of "Lay Down (Candles in the Rain)," I can't even find words for how happy it makes me to find this.

Manhunt.

The big gay news lately is Manhunt.net, the web site where men go to find other men to have sex with. Manhunt basically consists of pages and pages of profiles with small photos and a few lines of text running the gamut from those who are seeking love, romance, dinner and a movie-type dates ("I know Mr. Right is out there somewhere") to graphic solicitation ("BB bottom cumdump seeks NSA loads"). It tilts pretty hard toward the direct appeals. Men will be men.

There's an article in the new issue of Out Magazine called, "Has Manhunt Destroyed Gay Culture?" and yesterday it was in the news that the owner of Manhunt is a Republican who has donated money to John McCain's campaign. All the gay blogs are talking about it.

I'll offer a couple random thoughts (which I posted as a comment to the post in The New Gay). There are so many aspects of this issue -- cultural, personal, political -- that it's hard to tease out a point of view.

Just think about two guys cruising Manhunt: one is there because he's deeply ashamed, married and closeted, desperate for the touch of another man, and this is the only way he knows. The other one is Out, sex-positive, and believes that sex is a political act and a fundamental right. (I think you get the same extremes with people who cruise parks or public bathrooms.) Pride is not the opposite of shame, it's the other side of the coin.

There's also a practical consideration. Heterosexual men live in a world where 97% of the women they encounter could at least theoretically, potentially be attracted to them. Homosexual men live in a world where 97% of the men they encounter would not under any circumstances be attracted to them and in fact a large percentage of them would be hostile or repulsed by the suggestion. As gay men, we look for and create situations where the probability of sex is higher. We want better odds.

We need places to find each other, and it's easier to sit in front of the computer at home than it is to sit in a bar. The Internet is a horny man's dream come true. But I don't think I like this development. Alcoholics are much more fun than Internet addicts.

Extras.

Jay and I have been watching Extras, the series by Ricky Gervais who did The Office. I loved The Office, but this is even better I think. The Office was so relentlessly cynical, which was one of the things that made it so funny, but after a while that tone makes me a bit claustrophobic. What I love about Extras is that it is just as biting, but the characters are sympathetic. There's love in it. The Office was short on love. From what I saw of the American version of the Office, they tried to put some love in it, but it didn't ring true to me. The American version would probably be pretty good if you'd never seen the original. Steve Carell is pretty funny, or I should say used to be. He doesn't make me laugh any more. It's like Will Ferrell. I don't know if they're not funny any more or if I just got sick of them.

Moving Out.

J and I are moving some time soon to a house built from shipping containers and building materials salvaged from movie sets, which our friend JP (of M&JP) is building on their land. JP says it'll be done before Christmas.

I was talking with J a few days ago about how -- though I'm excited and happy about our future home -- the move comes with some sadness. It feels like a farewell to a kind of life that I dreamed of when I was a kid and lived for many years, in New York and then briefly in San Francisco, and to some extent in Nashville. A big city life where you live and work and play, shop and eat, all nearby or in places that are easily accessible by public transportation.

I've continued or tried to continue to live like that here in Austin, but it's a struggle because public transportation is so spotty. Sometimes, without a car, I feel isolated, stranded here. I can walk to the post office. I can walk to the bar, movie theaters, coffee shops, restaurants, and various other businesses. But I can't walk to a grocery store. And if I need something outside my neighborhood, I have to do serious planning. I can't just hop on the subway. Usually I can borrow J's truck. If I can't, a bus trip is often an hour and a half to get to a place that might take 15 minutes to drive to. Austin is a driving city, and I hate driving.

So moving out to M&JP's is like giving up, admitting that it may be impossible to have that life now. Life in the urban core is more and more just for the rich. The kinds of neighborhoods I lived in (the East Village and Lower East Side of New York, Ft. Greene in Brooklyn, Waverly-Belmont in Nashville) flip too fast now. There used to be a window of several years between when the artists moved into ghettos and the developers and yuppies came and wiped everything out. Now, I look at the neighborhoods east of our present home, where there is still serious poverty, drug dealing, prostitution on the street corners, not infrequent shootings, etc., and across the street they're building "luxury lofts."

Our new home will be about 4 miles from downtown and the U.T. campus. A reasonable bike ride and a very quick drive. M&JP are family to me, and though I'll be farther away from downtown, I'll feel less isolated there with them. The house is going to be beautiful. We'll have windmills and solar panels generating most of our power, a composting toilet, rain water collection will provide most of our water, a bigger vegetable garden. We'll be more closely in M&JP's orbit, a big and varied group of artists, friends, family. M&JP are like magnets for good, generous, interesting, hard-working, smart, creative people.

This move is a relief. No more yuppies nipping at my heels. It's the end of a long trail of spoiled neighborhoods that were once full of life and art and danger and possibility and are now full of strollers and retail chains and rents that are way too high for the marginal people.

(The new light rail system they're building now will stop near our new home and it goes downtown and to the U.T. campus. And we're right on two major bus routes, one of which goes to U.T., so my commute to school if I don't feel like riding my bike will be quick and easy.)

Heat.

It's 7:30 p.m. and it's 101 degrees here in Austin. But the sun will go down in a couple hours and the temperature will drop to about 95, and then it feels so good to open up the house and turn on the fans. That's the best thing about this extreme heat -- 95 feels cool.

Comix.

I don't know about the comic book thing. It's not generational, the fact that I don't get it. If there is a comic book generation, I'm in it. I think I picked up an Archies comic book a couple times when I was in 5th grade, but that was as deep as I got. Superheroes just seemed kind of dumb and childish to me, even when I was 12. I hope I'm less of a snob now -- I don't dismiss the whole genre, but I still don't get it. I just don't get it.

J and I went to see the Batman movie at the iMax theater on Wednesday. It was fun. It was often beautiful to watch. Gary Oldman is always a treat. And who's more handsome than Christian Bale? (Now I've got a hankering for Velvet Goldmine -- the last time I had the DVD, I watched it about 10 times in 3 days.) Lots of shooting, everybody shooting at each other. Heath Ledger is funny and scary, though at times his performance reminded me an awful lot of Johnny Depp in those pirate movies.

But at the end of the two hours and whatever, I had very little idea what had happened, let alone what it was about.

I've read some great graphic novels, one called Blankets is probably one of my all-time favorite books. And Stuck Rubber Baby is also great. Those are comics, right? Blankets is a beautiful book; the combination of great drawing and great storytelling -- I know I came late to this realization -- is powerful. I'm a huge fan of great drawing, and I can see that there's some great drawing in the superhero comics, so I wonder why that doesn't draw me in. When I try to read the actual comic books, I just can't work up much concern for the characters. It looks silly and contrived to me, the outfits and the things they get really worked up about, like cryptonite or whatever it is. All those cackling villians. I had a hard time not giggling when Batman was on screen in his costume talking to people in regular clothes. (How are these people keeping a straight face standing next to this guy in such a ridiculous outfit?)

So can someone give me some help with the comics genre? (Michael Chabon is one of my favorite writers, but I have avoided reading his most praised book, The Amazing Adventures of Kavalier and Clay, because it's about comics.) Is it possibly related to gender? There were a lot more men than women at the Batman screening. Usually when it comes to those big cultural things that divide men from women (love stories or action thrillers, cooking or sports, etc.) I fall on the female side. There are traditionally-male genres that I've come to appreciate and enjoy because I've connected with particular artists -- like Patricia Highsmith and Jim Thompson for crime stories, Samuel R. Delany for science fiction. Pan's Labyrinth changed my mind a bit about fantasy, though I'm still in the dark with Lord of the Rings. It's a ring, right? The big fuss is about a ring?

I've really enjoyed some porn comics, especially Hard to Swallow, but sex is compelling in any genre.

High School.

I promised to share my Indiana epiphanies, but I should know that making promises doesn't work for blogging. Every day is something new, and I can't go back and catch up. The only writing about the past that I seem to be able to do, and I know I do it a lot, is writing about the distant past. But if there are gaps in my chronicle as the present streams relentlessly by, I just have to let them go and start where I am.

And I say all that just to let myself off the hook for not writing in depth about my encounter after 25 years with T, my best friend from high school, while I was in Indiana last month. Short version: T was the friend I did all the bad things with first (drinking, drugs, sex, shoplifting). T was that friend.

I don't trust my memories from that time. I used to assume that high school was a blur for everyone after so many years, but I've talked to people my age who remember clearly. Generally I have poor recollection of long past events. I lose the details, I lose the chronology. I wonder sometimes if it's a result of being so mentally and emotionally fragmented back then. I was one person in my head and heart, another in the world. Broadly speaking, that's the closet. My art teacher had a record-player in her classroom, the old kind that looks like a little suitcase, and for some reason there was only ever one record, the Moody Blues (I can't remember the name of the album, but it was the one with "Never Comes the Day"), and we would play it over and over in her class and I would fight back tears, "If only you knew what's inside of me now / You wouldn't want to know me, somehow."

When was it that we bought a few dozen eggs and ran around campus throwing them at college kids dressed up on their way to a dance? Whose idea was that? And how did we not get caught? If I was only ever half present in any moment, how can I be expected to remember the details?

I can't put things together. There's no through-line. We drank a lot when we were pretty young, even before high school I think, and started smoking pot when we were around 14. We lived in a college town, and it was easy to walk into frat parties and drink whatever was at hand. We'd both been smoking cigarettes since we were about 11 or 12. But midway through high school, I went through an anti-drugs and smoking phase (can you imagine?) and I didn't start smoking or drinking again until near graduation. I did lots of high school theater and those friends were clean-cut and separate from my pothead friends.

T remembers everything, though. He remembers all the mean nicknames we had for people. He remembers the time his father was beating up his older brother because he'd found his rolling papers and T ran down the road to my house and stayed for 2 days. (I remember how worried my mom was.) He remembers that it was him who first taught me how to give head.